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Yasmin Nurming-Por
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Independent
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Writing
New Formations
Buffalo Institute for Contemporary Art
The 15th Shanghai Biennale: “Does the flower hear the bee?”
C Magazine
Alan Michelson
two seven two
BlackFlash 40.3
BlackFlash Magazine
Scott Rogers
Glasgow Project Room
Elizabeth Burmann Littin
two seven two
Amanda Boulos
Blouin Division
Sites for Spectral Transference
Images Festival
Común Unidad
Textile Museum of Canada
Summer Visitors
ATLAS Arts / Ormston House
Mia Van Veen
ISCA Gallery
I’m Stepping High, I’m Drifting, and There I Go Leaping 越过栅栏,如鸟儿飞过
Xiao Museum of Contemporary Art
Global Cows
Various Transit Stations, Toronto
34th Edition of Images Festival
Images Festival
Janet Cardiff and George Bures Miller
Canadian Art
Canadian Artists Shot in Paris Terror Attacks Debuts New Work About Violence
Canadian Art
Brian Jungen Friendship Centre
Art Gallery of Ontario with Prestel
Geoffrey Farmer
Canadian Art
10 Artists Who Work with Changing Environments
Canadian Art
Kenojuak Ashevak
Inuit Art Quarterly
In shadows of the individual
Walter Phillips Gallery, Satellite Space
Online Screening – TV Dinner
Video Pool
My Curiosities Are Not Your Curious
Art Gallery of Guelph
Dear Alan
Alberta Foundation for the Art
Rocks Stones and Dust
Inuit Art Quarterly
Jochen Lempert: Field Guide
Thisistomorrow
Anna Boghiguian
C Magazine
Nairy Baghramian
Esse
ARCTICNOISE
grunt gallery/aka artist run/trinity square video
At Sea: Shipbuilding Archives From The Town of Collingwood
Town of Collingwood
Blind White
Diaz Contemporary
Speaking of Time: The Ethics and Aesthetics of Framing Yugoslavia’s Spomenik Post ’89
Drain Magazine
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